“Who is that?”
“Oh, that’s Adam, John Winchester’s other kid. He’s still trapped in the cage. In Hell. With Lucifer.”
SUPERNATURAL was a paranormal take from Eric Kripke on the mostly forgotten show ROUTE 66. ROUTE 66 was pitched by the very versatile screenwriter/producer Stirling Silliphant (IN THE HEAT OF THE NIGHT, NAKED CITY) as a way to give TV audiences a trip around the U.S.A. (Basically, a semi-fictional travelogue.) Each episode was written around locales across America and focused on two male friends who road trip around and help the folks they meet along the way. One episode even has Peter Lorre, Lon Chaney Jr., and Boris Karloff as themselves!
So, obviously, SUPERNATURAL features the Winchester brothers, driving across the country — although they rarely shot on location — helping folks deal with inexplainable creatures and situations while also encountering a surprising amount of family drama with their father and their dead mother.
“So that’s where we aaaarrre! On a road so faaaarrr! Saving people, hunting things! Family business, back in swing!
SUPERNATURAL was one of those shows that thrived by word-of-mouth. I discovered it through a friend who said: “I know it looks cheesy and it’s on the WB and yes, there’s an episode with a murderous truck, but trust me on this one. It’s worth watching. Here, just borrow my DVD set!”
It was quite engaging for some time but shows wax and wane, and it often takes time for them to refresh.
Sadly, I do not have the patience for 15 seasons of 20+ episodes, but I did make it a point to watch the 200th episode. For one, how often does that happen on a non-CBS network and two, it’s supremely meta.
This episode absolutely and unapologetically acknowledges its fans.
I’ve seen a lot of SUPERNATURAL eps but not even close to all of them. However, my wife singled out this ep and I feel like a better person for having watched it.
This one bit below was something special, because it encapsulates their fandom by recapping the broad beats of the show’s history into a high school musical production. Normally I’m not about fan-service, but fans have done so much for this show and to see it reflected on-screen made me well up. The fact that it’s also a great episode that doesn’t take itself seriously but is still earnest? Icing on the cake.
I admit, most of this episode will initially be lost on you if you are not familiar with the show, but the musical eases you into it, and it’s still a fun time if for no reason other than the closing number.
It’ll just be easier for you to watch the clip below.
Love what you love, and support it however you can.
“A single man-tear falls down his face; he shows emotions without a trace.”
Also, I really, really wanted the WAYWARD SISTERS spin-off to happen. Happy to have seen it as a backdoor pilot, as CW was the last network to air backdoor pilots.
I will note that if you decide to pursue this show? Skip the series finale. It is an absolutely unsatisfying mess, although I don’t blame the writers as there were production and casting and contract issues plus, of course, COVID. I came back to watch the entire final season and the finale will leave a bad taste in your mouth.
That said, apart from a slightly rocky first season, the first five are damn entertaining.