Psychodrama - Mediaclature

Favorites of 2021: Films

January 3, 2022

Here are my favorite — note, not what I feel are the best — films of 2021, in alphabetical, non-prioritized, order:

BARB & STAR GO TO VISTA DEL RAY

“I miss this sort of comedy, the kind of comedy that doesn’t call attention to its jokes, the kind that’s sharply written and doesn’t meander or rely on extended improvised riffs. It’s tightly wound silliness with a ton of great talent”

—

“It was a real tit-flapper!”

BENEDETTA

“[U]ltimately this is a human drama, one which showcases how very little has changed over hundreds of years.”

CENSOR

“[A]n extremely mannered film until, well, until it isn’t. Stick with it and it will fuck you up.”

THE FRENCH DISPATCH

A surprisingly sincere triptych from Wes Anderson.

JOY RIDE

“We’re all healing as we (hopefully) come to the end of this awful era, and seeing JOY RIDE under these circumstances was such an immensely enjoyable time, and I’m so happy I could see it with such giving artists.”

THE SOUVENIR PART II

“I can’t recommend these two films enough, but I would suggest watching them relatively close together. I hadn’t seen PART I since it screened in theaters in 2019, and felt like I was missing out on a lot in PART II because, uh, my memory, and the past two years have been particularly harrowing.”

SPENCER

I’ve had the goddamn hardest time getting people to watch this film, solely because of Kristen Stewart, but hell, the way she casts her eyes … I wish folks would just watch the trailer and see her transformation.

“You are your own weapon.”

[…]

“Will they kill me, do you think?”

TITANE

“I can’t remember the last time I so extensively averted my eyes from watching a film. However, those moments are not exploitative — they are meant to be uncomfortable, they are there for a reason. I simply felt that I was able to glean that reason by listening, instead of watching.”

Missed:

  • ANNETTE
  • CANDYMAN
  • CYRANO
  • DRIVE MY CAR
  • MEMORIA
  • NIGHTMARE ALLEY
  • NINE DAYS
  • PASSING
  • PLAN B
  • RED ROCKET
  • SHIVA BABY
  • TEST PATTERN
  • THE TRAGEDY OF MACBETH
  • ZOLA

PROFIT (1996)

November 2, 2020

(DVD/YouTube) PROFIT has the dubious honor of ushering in the modern era of asshole male anti-heroes, despite the fact that practically no one watched it which resulted in it being cancelled having only aired four episodes (four more were aired on the late, lamented — at least by me — Trio channel, and are available on the very out-of-print DVD).

That said, critics loved it, despite the fact that the lead character — Jim Profit, yes that’s his name — is a cutthroat corporate man, willing to do anything to get ahead. The storytelling engine has him crushing a fellow employee (or just someone in his way), then celebrating by opening up a hilariously dated virtual reality app and shattering their poorly rendered 3D likeness.

On top of this, he has severe mental issues: he killed his father, slept with his mom (well, step-mother), and every episode ends with him climbing naked into a cardboard box to sleep.

While you might think that this would be played as a soap, no, it’s played straight as straight as can be, often with grizzled narration from Profit himself, occasionally even addressing the audience. It helps that Jim Profit, played by Adrian Pasdar, could turn on the charm in a way that few other TV anti-heroes have managed. (Gandolfini excepted, of course.)

At the time, there was nothing like it on air, which sadly seems to be why FOX briefly flirted with the idea of rebooting it. (Given the state of the world right now, it appears they’ve wisely realized that’s a terrible idea.)

I’m not going to say PROFIT was a great show, but it did have a lot of fantastic — albeit absurd — character work. Also, just about anyone reading this probably has loved one of the shows that creators John McNamara (THE MAGICIANS, JERICHO, BRISCO COUNTY JR.) or David Greenblatt (EUREKA, GRIMM, SURFACE) have been heavily involved with. (Also, both worked on ANGEL.)

While the entire series is difficult to find, the 90min pilot is available on YouTube, which should give you more than enough of a taste for the show.

IMAGES (1972)

October 15, 2020

(kanopy/tubi/VOD) In-between MCCABE & MRS. MILLER and THE LONG GOODBYE, Robert Altman directed this British psychodrama oddity, loosely based on lead actress Susannah York’s children’s book IN SEARCH OF UNICORNS. I know we always think of Altman as a loosey-goosey director, reveling in overlapping dialogue and aural confusion but, after all, his comeback film was the mannered murder mystery GOSFORD PARK (and, holy moly, what a cast that film had).

This is Altman as European horror art film director, and IMAGES is a genre take on the likes of Bergman’s PERSONA. Altman still can’t resist a bit of messiness, as it’s still a bit difficult to suss out the how’s and why’s and when’s after the credits roll, but it’s a thrillingly performed bit of a mess, and York is perfect in her role(s).