A fantastically penned take on Chicago from the prohibition era onwards from the perspective of a ballerina who ends up living in a dark fairy tale. It’s a work that washes over you, that takes you to another place, then rudely shoves you back to reality. The author — Alyssa Wees — has an amazing command for detailing physicality, diving deep into what is entailed in immersing oneself into this sort of craft and stage work.

To say more would lessen the impact, but I will say: it’s quite the phantasmagoria.

Little bird.

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