(Theaters) Michael Glover Smith’s RELATIVE is a refreshing throwback family ensemble drama, the kind of indie film that traditionally centers around a homecoming during the holidays or a major family event.
In the case of RELATIVE, the inciting ceremony is a college graduation party for Benji Frank (THE WALKING DEAD’s Cameron Scott Roberts), the youngest child of four who is described as a late-in-life miracle baby by his aged hippie parents, librarian Karen (TWIN PEAKS’ Wendy Robie) and retiree David (grand character actor Francis Guinan).
Living in Karen and David’s basement is their thirty-something asshole son, Rod (Keith D. Gallagher), a veteran recovering from both PTSD and a four-year-old breakup.
Rounding out the family is Evonne (Clare Cooney) whose marriage and mental state appears to be strained, and Norma (Emily Lape, MERCY’S GIRL), who presents a cool, calm, and collected veneer to her family that all is well in her world, but that she pines for older times.
What follows isn’t as conflict-driven as you may think, but there is tension in the air as all of the characters find themselves at their own crossroads, exploring life-changing decisions all while under the comforting roof of the family home.
Smith is known for his paeans to Chicago and RELATIVE is no exception. It is primarily filmed in the far north regions of Chicago, mostly Rogers Park which happens to be Smith’s neighborhood. Rogers Park also houses RELATIVE’s family abode, and Smith takes great care to gloriously portray its interiors via several long pans, detailing hand-painted landscapes with inventively embedded lighting, all framed by the signature molding of 19th century Chicago.
Oh, and when the characters occasionally escape Rogers Park, they run off to Andersonville’s mainstay gastropub Hopleaf*, or happen to be in the nearby village of Wilmette.
If there’s one qualm I have, it’s that Smith hits a few dialogue refrains harder than I would have liked. There’s a repeated bit about ‘choosing soup’ that is clearly meant to be an insightful-but-also-comedic icebreaker, the kind ripped from real life, that left a bad taste in my mouth.
Nonetheless, Smith serves up a quiet, thoughtful depiction of a family, comprised of individuals who miss their old bonds, some who wonder about the unknown, while others are eager to exit. RELATIVE explores these familial bonds with aplomb while respecting the audience by exerting considerable restraint when it comes to revealing certain facets of the characters. While the audience is rewarded as matters wrap, Smith allows for some questions to linger and remain with you long after the film is over.
Trailer (although, if the above sounds appealing to you, skip it!):
- While I understand the difficulty of finding a unique bar that was also open to allowing a film shoot while COVID reigned, as an Andersonville resident who often frequents Hopleaf, I couldn’t help but flinch while watching Benji eat pizza and drink wine in the venue. You head to Hopleaf for the mussels or, if you tire of those then a hot sandwich, and you wash it down with an eclectic Belgium draft beer.