Turner Classic Movies Film Festival: Part Two (2021)

The second part of highlights from this year’s TCM (virtual) Film Festival, this time focusing on ‘Classics Curated By TCM’ available to stream via HBO MAX.

It’s worth noting that I have no idea how long these will be available to stream. If I had to guess, I’d say they’ll be available until May 11th.

Full ‘Classics Curated By TCM’ HBO MAX lineup: https://filmfestival.tcm.com/on-hbomax/films-a-z/

BALL OF FIRE (1941): A lesser known Howard Hawks screwball classic, featuring Gary Cooper as a stodgy professor and Barbara Stanwyck as a nightclub singer in trouble with both the police and the mob. It’s classic TCM fare in that it airs rather regularly and I find it endless re-watchable. (If you don’t have HBO MAX, it’s also available via kanopy.)

THE DECLINE OF WESTERN CIVILIZATION (1981): Directed by Penelope Spheeris (BLACK SHEEP, WAYNE’S WORLD) not only is THE DECLINE OF WESTERN CIVILIZATION a great music doc about the Los Angeles punk scene of the late 70s/early 80s — including Black Flag, X, and Fear — but also a brilliant doc in general, one which resulted in two more iterations that are also worth your time.

HARLAN COUNTY USA (1976): Director Barbara Kopple’s in-depth look at striking Kentucky coal minors. It’s a classic, an important piece of American history. (I’ll note that it does run regularly on TCM and Criterion’s streaming service.)

THE MELIES MYSTERY (2020): A doc detailing the restoration of over half of silent film auteur Georges Méliès. I haven’t seen it, but can’t help but imagine any self-respecting film nerd wouldn’t want to watch it.

THE NAKED CITY (1948): Previously recommended! (Also, it’s easily available on any non-TCM fest day.)

SCARECROW (1973): This Jerry Schatzberg film is completely new to me — I’ve only see THE PANIC IN NEEDLE PARK — but it features Gene Hackman and Al Pacino as two misfits trekking across the U.S., so I doubt it’ll completely waste my time.

SO THIS IS PARIS (1926): Lubitch directed more than several handfuls of silent films before helming talkies such as NINOTCHKA and DESIGN FOR LIVING. While I’ve never seen it — I’m largely unfamiliar with Lubitch’s silent work — it’s a new restoration, heavily features folks dancing the Charleston, and Myrna Loy makes an appearance.

THE THIN MAN (1934): Previously recommended! (That said, if you’re pressed for time, it’s easy enough to watch any old day.)

TO SLEEP WITH ANGER (1990): Charles Burnett (whose first film is the the fantastic KILLER OF SHEEP) weaves this tale of an old acquaintance (Danny Glover) who pops back up in a family’s life and slyly disrupts them. It’s a remarkably surreal but grounded film, chock full of great little scenes, performances, and intriguing tracking work.

I hope some of you can catch these while you can, and that the next TCM Fest has both virtual and physical screenings!