EXCISION (2012)

(Plex/Prime/tubi/VOD/Vudu) A thrilling, often very funny, horror tale about a teen girl discovering herself, despite her parents (including Traci Lords). Delightfully horrific and fucked up, features a small part with John Waters, and not nearly as campy as the casting may sound.

I’m pretty sure they had the rights to NINE INCH NAILS’ CLOSER for a split second and this is a fan-captured trailer but, even if it’s a fan-made trailer, it’s goddamn perfect — far better than any of the other trailers (NSFW):

JOSIE AND THE PUSSYCATS (2001)

(STARZ/VOD) If you know me, you know I’ve been a booster for JOSIE AND THE PUSSYCATS practically since it was released. My wife has even walked into my office and exclaimed: ‘You’re watching JOSIE AND THE PUSSYCATS again?!’

It’s a cutting satire of late ‘90s/early naughts consumer culture, perfectly cast, with candy-coated visuals and a soundtrack to die for. Even if it didn’t have goddamn amazing songs fron Adam Schlesinger (R.I.P., also responsible for many great songs from CRAZY EX-GIRLFRIEND. Also, Fountains of Wayne) and Kay Hanley (Letters to Cleo), it’d still be amazing. It’s far smarter than it looks.

Also, it’s the only film to have prominently featured SEGA’s SPACE CHANNEL 5, an under-appreciated videogame classic.

JAWBREAKER (1999)

(Pluto/VOD) I saw this a few years after it was released and enjoyed it but, upon a recent rewatch, I finally fully appreciate it: a dark, whipsmart teen comedy, styled like a Barry Sonnefeld film and penned in the vein of HEATHERS, but still manages to be its own thing. On top of that, it features an astounding supporting cast — Pam Grier! Carol Kane! Judy Greer! — and an even better soundtrack. Hell, THE DONNAS even play at their prom!

1999 really was a banner year for smart teen comedies. 10 THINGS I HATE ABOUT YOU! DICK! BUT I’M A CHEERLEADER! DROP DEAD GORGEOUS! IDLE HANDS! Too bad we didn’t quite appreciate what was right in the front of our faces.

ELVIRA, MISTRESS OF THE DARK (1989)

(AMC+/hoopla/Hulu/Prime/Shudder/tubi) Combining Elvira’s vaudeville MC schtick with a John Waters-type of cultural/sexual norms disruption was goddamn inspired. Yes, the male gaze interrupts the film’s flow every two minutes, but the self-aware winks and Elvira’s personal agency (mostly) subverts it. (I wish there was a better trailer for the film than this one.)

Also highly recommended: THE ELVIRA SHOW, which never made it further than the pilot.

Feels like THE GARRY SHANDLING SHOW but with Elvira. What more could you want?

BREWSTER MCCLOUD (1970)

(VOD) An icarus story with a serial killer MacGuffin, Altman’s follow-up to MASH is even more chaotic and irreverent, while also being extremely impenetrable. The weirdness worked in my favor, but your mileage may vary.