Electroclature Volume Thirty-Two: XXXII

Part thirty-two of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


If you’ve been a tourist in Chicago, you’ve almost certainly visited Navy Pier, featured in the above cover photo (albeit from afar). I’d call it the ‘Coney Island’ of Chicago, but that’d be an insult to Coney Island. It’s basically a lakeside strip mall with a very large Ferris Wheel. (Not pictured.)

Granted, Navy Pier’s Ferris Wheel — technically called the ‘Centennial Wheel’ — is a nod to the original Ferris Wheel, which was born and built for the 1893 Worlds Fair, which was a seminal and extremely influential and inspiration technological showcase that took place in Chicago. So it has that going for it.

History aside, I think it’s a rather striking photo. Again, not much in the way of sweetening here apart from some tinting. I was lucky enough to catch the right golden hour lighting, especially since I believe I was on a booze cruise architectural tour when I snapped it.

Consequently? Pretty proud of this cover. As with the future covers, I’m not exactly sure how I shoehorned a ‘widescreen’ cover into a CD case, but that’s something past-me figured out and something that present-me doesn’t have to worry about.

Enough about temporal selfs! Onto the highlights!

EMIKA! She’s essentially on here twice — she also provides vocals on the harrowing THE BRANDT BRAUER FRICK ENSEMBLE work ‘Pretend’, as well as being the creator of ‘3 Hours’.

Emika is an amazingly astute electronic musician who has also branched out into general production and publishing work with her own label. ‘3 Hours’ is one hell of a melancholy throbber about domestic violence that, while it is difficult to listen to, the beats make it go down a lot smoother.

BLACK BOX RECORDER! Breathy, sultry indie rock that is not afraid to coast on the rails.

GRAVEYARD TRAIN! At first blush, you might mistake this for mid-era Nick Cave, but they have a bit more of a pirate-y jaunt. ‘The Ferryman’ is a great song to either wave or sink into your cup to.

Let’s get to the tracklist, shall we? (Artist / Album / Song — links go to a video of the song, if available.)

  1. :GOLGATHA: / The Horns of Joy / Rising
  2. ASH BLACK BUFFLO / Andasol / Go ‘way Old Ghosts
  3. GRAVEYARD TRAIN / The Drink, The Devil and the Dance / The Ferryman (Audio Only)
  4. PUSCIFER / The Human Condition / The Humbling River
  5. ORDO ROSARIUS EQUILIBRIO / Survive The Spring / Can you see the Forest for the Trees
  6. OWL SERVICE / The Burn Comes Down / When a Man’s in Love
  7. THE BRANDT BRAUER FRICK ENSEMBLE / Mr. Machine / Pretend
  8. EMIKA / 3 Hours / 3 Hours
  9. TOM HAGERMAN / The Breakfast Playground / The Comedy
  10. THOSE DARLINS / Wild One / Drivin’ Nails in My Coffin
  11. CHARLOTTE GAINSBOURG / Stage Whisper / Memoir
  12. BLACK BOX RECORDER / The Worst Of / Brutality
  13. BJÖRK / Bastards / Crystalline [Omar Souleyman]
  14. KIMMO POHJONEN / Uniko / Uniko: II. Plasma
  15. VIVIAN GIRLS / Everything Goes Wrong / Tension
  16. TOM WAITS / Bad As Me / Bad As Me

Electroclature Thirty-One: XXXILED

Part thirty-one of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


I really miss grunge design. It was messy but deliberate and singular. I wish someone would bring it back, and this aging cover extolls that wish. I love the interwoven textures, the spatter pattern leaning into the lighting, the color punctuation popping exactly where it should (especially the central blue). Yeah, I’m pretty proud of this one. I even like the typography! It’s gloriously thin and, for once, you can fucking read the song list.

If I were someone else viewing this, I’d probably grouse that the title is almost incomprehensible, but that’s certainly by design — no pun intended — and I appreciate my utilization of negative space.

I feel so dumb for penning this title, given that it can read in many unintentional ways, but what’s done is done. If I could revise it? I’d reverse the ‘L’ and perhaps divide the I to split between black and white, as the fact that it’s supposed to represent 31 kinda gets lost. *shrug*

If I remember correctly, the photo was taken while driving down the dregs of Chicago’s Wacker Drive, which you may recognize from John McNaughton’s HENRY: PORTRAIT OF A SERIAL KILLER. I saw HENRY before I moved to Chicago and the moment I rode through it? I immediately recognized it. When I met McNaughton in 2023, I couldn’t help to impart how much that one scene was burned into my brain, despite the fact that nothing really happens during those moments. It’s pure visual verve that I often have to walk through whenever attending the Chicago International Film Festival.

Anyway. I have two versions of the cover: the featured cover above with a sans-serif font and more like an overlay. The one below has a blocked-off serif font and is far more mannered. I wish I’d married the two, as the latter obscures the huge light bloom, but I feel the font of the former is too tall, so to speak.

I didn’t sweeten it much — mostly just tweaked the contrast and laid the text around it the brighter elements. Again, I am proud of the legit blue pop that peeks through the E. Also, yes, natural lighting — that wasn’t an insert. Work around your elements, y’all! It’s more fun for all that way!

I am not sure which I picked for the final cover. I hope it was first featured above as I really do love the light bloom that is obscured by the second.

If you don’t mind me saying? Goddamn this is a good mix! Revisiting it was such a delight. I’d forgotten about so many of these raucous bands. Hard to pick the highlights, but here we go: the verve of LE TETSUO! The thrust of FEVER FEVER! (Yes, I forgot to previously mention that they were very much a Christian band but goddamn they fucking rocked.)

SUBSTANCE B’s beats are so infectious! TEETH provides some much-needed brazen electropunk kinetics! NOISEX brings down the house! Fun fact: saw him live in New York and I fucking went wild, especially during the :WUMPSCUT: covers.

If you have good taste in TV, you’ve heard GANGSTAGRASS’s ‘Mean’ as it’s the title song for the FX show JUSTIFIED. Saw ’em at SPACE in Evanston, Chicago and goddamn did they kill. It’s not on any of these mixes, but please make sure to check out their rendition of the folk song ‘Banks of the Ohio’!

Let’s take a step back and become reacquainted with the tracklist format: Artist / Album / Song — links go to a video of the song, if available.

  1. TOM HAGERMAN / Idle Creatures / A Death In the Harbor
  2. ASH BLACK BUFFLO / Andasol / Misery Is The Pilgrim’s Pasture
  3. ARIANE MOFFATT / MA / Mon corps
  4. SUBSTANCE B / / Dora Au Collège Fou Fou Fou (Audio only)
  5. NOISEX / Endzeit Bunkertracks [Act III] / Das Ist Elektro
  6. MIKE PATTON / Crank: High Voltage OST / Social Club
  7. GANGSTAGRASS / After the Apocalypse There is No Grid / Mean
  8. LE TETSUO / Sometimes I’m Walking Around I Feel Like I’m Going to Open Up an Crack / Sometimes I’m Walking Around I Feel Like I’m Going to Open Up an Crack
  9. FEVER FEVER / Pins / Pins
  10. FIGHT LIKE APES / The Body Of Christ And The Legs Of Tina Turner / Waking Up With Robocop
  11. THE JOY FORMIDABLE / The Big Roar / The Greatest Light Is The Greatest Shade
  12. THE GLITCH MOB / We Can Make The World Stop / Warrior Concerto
  13. TEETH / Whatever / Care Bear
  14. GRIDLOCK / E³ / Pallid
  15. MR. GNOME / Madness in Miniature / Bit of Tongue
  16. SLOW CLUB / Yeah, So / Because We’re Dead
  17. ANNA CALVI / Wolf Like Me / Wolf Like Me
  18. NATHALIE DELCROIX / Urbanus – Vobiscum [SE] / Bakske Vol Met Stro

Electroclature Volume Thirty: XXX

Not to gladhand myself — well, maybe a bit — I am a huge fan of this cover. I can’t recall where I took the picture and while I definitely sweetened it, I love the composition. I love the background pattern, and I love how the leaf at the bottom invisibly connects with the river. I love the overlaid spatter on XXX. I even somewhat like the font size!

Enough about scenery! Bring on the musical highlights!

EMA! Indie-electro at its finest! ‘The Grey Ship’ is exceptionally languid, but additional tracks escalate and feel like dirt pressed over a forlorn voice.

Unsurprisingly? Saw ’em at Chicago’s EMPTY BOTTLE for what was an incredibly emotive experience. Sadly, I doubt we’ll receive any new EMA material, but at least we have what we have.

THEE 50’S HIGH TEENS! Throwback early 60s garage rock, synths and all, helmed by righteously angry women whose temperament you can feel through this instrumental track.

WILD FLAG! I normally are not one for supergroups, but goddamn, this is one I could not resist, and the end result? Perfection. SLEATER-KINNEY’s Carrie Brownstein and Janet Weiss! HELIUM’s Mary Timony! THE MINDER’s Mary Timony!

‘Romance’ is absolutely succinct perfection. No flaws. It’s a raucous-but-tight production that builds perfectly from the opening synths to the Mototown infusion! Also, the chorus is so goddamn hooky and makes me grin every time I hear it.

(Yes, I also saw ’em at EMPTY BOTTLE and no one can take that stellar memory away from me.)

Back to set the scene! (Artist / Album / Song — links go to a video of the song, if available):

  1. SOAP&SKIN / Lovetune For Vacuum / DDMMYYYY
  2. BLAWAN / Bohla / Lavender (No official video, so enjoy this fan-made one that features John Travolta shoehorned into two scenes he shouldn’t be in.)
  3. YOUNG CIRCLES / Jungle Habits / 2012 (Audio only)
  4. NICO VEGA / Fury on Furt / Beast
  5. KATZENJAMMER / A Kiss Before You Go / Gypsy Flee
  6. THE GOOD THE BAD / From 018 To 033 / 028
  7. WILD FLAG / Wild Flag / Romance (Video directed by Tom Scharpling!)
  8. X-RAY SPEX / Germ Free Adolescents / Identity
  9. P.J. HARVEY / Let England Shake / The Words That Maketh Murder
  10. EMMY THE GREAT / Virtue / A Woman, A Woman, A Century Of Sleep
  11. EMA / Past Life Martyred Saints / The Grey Ship
  12. LYKKE LI / Wounded Rhymes / Sadness Is A Blessing
  13. THE PINEY GIR COUNTRY ROADSHOW / Jesus Wept / The Sheriff Of San Miguel
  14. EILEN JEWELL / Queen of the Minor Key / Queen of the Minor Key
  15. MAD JUANA / Kumpania / On The Side Of The Wild (Sadly unavailable to stream for some reason)
  16. THEE 50’S HIGH TEENS / Punch De Beat / Stoller In the Air
  17. CULTS / Cults / Abducted
  18. PEGGY SUE / Acrobats / Song & Dance
  19. TARANTELLA / Esqueletos / Dark Horse

THE RAVEONETTES – The Christmas Song (2011)

Looking for a song to listen to while nestled in a cozy sweater, dreamily staring out a frosty window? THE RAVEONETTES are here to keep you company with The Christmas Song!

DAVID & THE CITIZENS – Christmas Eve (2004)

DAVID & THE CITIZENS is a Swedish group that’s been around since the late 90s, formed by David Fridlund. They’re quite good at crafting soulful, resonant and often devastating songs, including the previously featured Now She Sleeps in a Box in the Good Soil in Denmark.

Are you looking for a sunny & bright paean to the night before Christmas? You may want to look elsewhere. However, if you’re having a lousy holiday season and want to go on a rollercoaster ride of emotions, well, look no further!

THE LONG BLONDES – Christmas is Cancelled (2004) [REDUX]

A bit late in the month, but to get in the spirit of the holidays I’ll be posting and reposting a few classic seasonal songs. For example, this under-appreciated repost of a “holiday missive from an underrated early naughts UK pop ensemble.”

I’ve played this every year since I discovered it in 2007, much to the dismay of anyone who has road-tripped with me in December.

Electroclature Volume Twenty-Nine: XXIX

Part twenty-nine of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


Not to be prideful, but this is when I settled into a new house CD mix design style that I am quite proud of it. When I remarked earlier about wishing I’d gone more of a letterbox way with one design, well, this is when I adopted it. I also settled on the serif font that fit my intent.

I have absolutely no idea where or when I took this photo. I imagine it’s another out-of-the-car-window shot. It’s slightly doctored to give it a bit more pop and an ephemeral look, but the sunburst is real as I don’t bother trying to fake that shit. You either capture it or you don’t.

As usual, it looks better in print as this is a low-res output. The tracklist text is far cleaner. If I had to change anything, I’d find a way to incorporate the XXIX title in a more visible way because — even though I designed this cover — I stumbled while trying to find it upon re-opening it years later.

Let’s move on from metal structures! This mix is all over the place, so let’s skip to the highlights:

ESBEN & THE WITCH! Granted, it’s the remix I love here as the electro staggering and static interplay so well with the ethereal vocals. If I heard this while on a club floor? One moment I’d be swaying like a tree, then I’d be twitching around like an out-of-control puppet.

HYSTOIC VEIN! New wave garage punk, all loud and brash and unapologetic!

THE GOOD THE BAD! Sexy instrumental surfer spaghetti western rock! Not to be crass, but this is my kind of bedroom music.

LITERGY! Saw these folks at — of all places — an outdoor Chicago street fest in the blinding sunlight, which is rather antithetical to their mission statement, but I take what I can get. ‘Generation’ is seven minutes of variations on a hard-hitting theme and I am absolutely here for it.

Can you feel the sunset telling you the tracklist format? (Artist / Album / Song — links go to a video of the song, if available):

  1. KIMMO POHJONEN / Uniko / Uniko: IV. Kalma – Kimmo Pohjonen
  2. PARENTHETICAL GIRLS / Privilege, Pt. III: Mend & Make Do / The Pornographer
  3. EZRA FURMAN & THE HARPOONS / Mysterious Time / Hard Time in a Terrible Land
  4. FEVER FEVER / Keys in the Bowl/Stage Shoes / Stage Shoes
  5. HYSTOIC VEIN / FAKE / DECA-DENCE
  6. BORN GOLD (née GOBBLE GOBBLE) / Bodysongs / Lawn Knives
  7. BEATS ANTIQUE / Contraption Vol. 1 / Extra Extra
  8. AUSTRA / Feel It Break / Beat And The Pulse
  9. ESBEN & THE WITCH / Chorea / Chorea [Christian AIDS] (This video is for the original, not the remix.)
  10. HAM SANDWICH / White Fox / The Naturist
  11. THE AIRBORNE TOXIC EVENT / All At Once / All At Once
  12. ALINA SIMONE / Make Your Own Danger / My Love Is A Mountain
  13. THE GOOD THE BAD / From 001 to 017 / 006 (This particular track isn’t available to stream, so this video goes to a01 from the same album.)
  14. ART BRUT / Brilliant! Tragic! / I Am the Psychic (Audio only as it’s unavailable to stream)
  15. TURISAS / Battle Metal / Sahti Waari
  16. LITERGY / Aesthethica / Generation
  17. JOHNNY LOVE / The Switch / Sonora [Udachi]
  18. LE TIGRE / Le Tigre / Hot Topic (The video here is a live version. Frustratingly, every live version I’ve found excises their shout-outs towards their inspirational creatives for some reason.)
  19. THE KILLS / Blood Pressures / Future Starts Slow
  20. X-RAY SPECS / Oh Bondage Up Yours! / Oh Bondage Up Yours!

JOHN CARPENTER’S LOST THEMES (2015-)

I’ve been lucky enough to see many of my favorite contemporary filmmakers in person open a screening, give a lecture, heralded at a ceremony, or even have some one-on-one time with ‘em.

Only once have I seen a master of cinema rock out behind some synths in front of several thousand people:

John. Fucking. Carpenter.

It was atmospheric, electrifying, and a bucket list event for sure. He, along with son Cody, were touring for their album Lost Themes, a collection of stellar spooky synth works. As you might suspect, they’re laden with sinister hooks and memorable strikes, and are perfect listening for whatever dark mood you may be in.

If you want something a little more club-friendly, or you’re an old-school electro/industrial fan, you’ll definitely want to listen to the accompanying album LOST THEMES REMIXED. Artists new and old tackle the themes, such as Zola Jesus & Dean Hurley on Night, ohGr warps Wraith, JG Thirlwell — one of my all-time favs — escalates the Abyss, and Blanck Mass punctuate and escalate Fallen!

So far, there four Lost Themes albums, the latest ‘Volume Four: Noir’ was just released in May 2024. Unfortunately, I don’t believe they did — or have plans to — tour in support of the release.

Electroclature Volume Twenty-Eight: XXVIII

Part twenty-eight of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


Ugh. I like the photo. Unlikely that I had to tweak it much, as that’s pretty much quintessential Chicago in February/March. No idea where I took it. Probably was just walking around and noted that the above power lines looked like a clothesline from an apocalypse.

The text does nothing to heighten the cover. In fact, it would have been improved if I just stripped all of the text from it and just scribbled down the tracklist on a scrap of lined paper and slipped it into the CD-R case.

Oh well. There are far better covers ahead.

There’s a lot of great stuff here. More metal! Old-school Indian songs! The escalating throb of Keyboard Milk! One of the few CURRENT 93 tracks I actually like! (Nothing against ’em — they just aren’t my thing.) That Peter Lorre song I mentioned in XXII! More GOBBLE GOBBLE!

Wait, what’s that sound? It’s the sound of highlights!

ENSIFERUM! When I first saw this band it was when they had been around for more than a handful of years. A friend suggested that we catch ’em at Reggies Rock Club. (Reggie’s is a club I’d like to attend more often, but it is a very long trek for me.) They were playing with TURISAS and I realized “Oh, huh, I really like Finnish metal!”

‘Stone Cold Metal’ is supremely epic, very mannered for metal and is so very well-structured and — oh, you poor neighbors — you can’t help but want to shout along. The accompanying video is 14 years old and while the CGI nowadays would be easy to render, back then this must have been quite the expensive effort. It was worth it though.

LE BUTCHERETTES! ‘Mr. Tolstoi’ is a whirling blast, and her vocal trill is delightful. The break and subsequent escalation will have you pumping your fist in the air and leave you breathless.

I somehow caught wind of this now-defunct Mexican garage/punk band in time to see them tour for their first album ‘Sin, Sin, Sin’. As if that album title wasn’t enough to capture my attention, the name of the band leader ‘Teri Gender Bender’ certainly did. They played at Subterranean — the same venue I saw BLOOD RED SHOES — and it was all sweat and raised fists and hair whipping around and glorious.

FEVER FEVER! Goddamn this post-punk band is absolutely unrelenting. Monster is a blur of guitars and snare bursts at full volume and you can’t help but be dragged along with ’em until the song immediately runs out of steam and you’re left panting.

Here’s the tracklist, if you are feeling too exhausted to do anything else but read an enumerated list. (Artist / Album / Song — links go to a video of the song, if available):

  1. RÖYKSOPP / Forsaken Cowboy / Keyboard Milk (Unofficial but gorgeous video)
  2. CURRENT 93 / Black Ships Heat the Dancefloor / Black Ships Ate the Sky II [JG Thirwell]
  3. TURISAS / The Varangian Way / A Portage To The Unknown
  4. ENSIFERUM / From Afar / Stone Cold Metal (Their video for ‘From Afar’ is well-worth a watch!)
  5. FINNTROLL / Ur Jordens Djup / En Mäktig Här
  6. DROPKICK MURPHYS / Going Out In Style / The Irish Rover
  7. THE WORLD/INFERNO FRIENDSHIP SOCIETY / Addicted To Bad Ideas / Peter Lorre Overture
  8. LE BUTCHERETTES / Sin Sin Sin / Mr. Tolstoi
  9. JOHNNY LOVE / The Switch / Sonora [Udachi]
  10. CHICKS ON SPEED / Cutting The Edge / Sex In Der Stadt (Audio only)
  11. ALINA SIMONE / Make Your Own Danger / Glitterati
  12. GOBBLE GOBBLE / Lawn Knives & End Of Days / End of Days
  13. ANURADHA PAUDWAL & SURESH WADKAR / College Girl/Amiri Garibi / Aankhon Mein Basalo
  14. ASHA BHOSLE, RAHUL DEV BURMAN / / Duniya Mein Logon Ko
  15. JOSE GONZALEZ / Red Dead Redemption OST / Far Away
  16. UNTHANKS / Here’s The Tender Coming / The Testimony Of Patience Kershaw
  17. FEVER FEVER / Monster / Monster

Electroclature Volume Twenty-Seven: XXVII

Part twenty-seven of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


Obviously a grunge-inspired cover. I’m not completely sure whether it works, but I don’t hate it. The photo is from — because *sarcasm* I am a very affluent person — a Megabus window in the early winter, I believe when I thought taking an eight hour bus ride to Minneapolis was a good idea.

To be fair, it was to see the Guillermo del Toro museum exhibit and I actually do not mind long bus rides but also? To travel to a city I’d never been to.

Anyway. I enjoy the reframing with messy borders. I miss that sort of thing. Also? Apart from the tinge? The actual photo isn’t too doctored — the land looked just as much as a slather of black paint streaks against pure white — so I enjoy that. At least I learned to reduce the tracklist font size. So it goes.

Let’s reframe the conversation to the music! Here are the snowy highlights:

AUSTRA! This was a project that classically trained opera singer Katie Stelmanis enacted after a short number of solo works. I really miss her solo work, but I quite enjoy the electronic nuance married with her vocals.

I know I over-pepper these posts with stories about my live experiences and, yes, this is another one but it’s far more interesting:

I caught them on their initial tour for ‘Feel It Break’, and it took place in one of the odder venues in Chicago. The front of the house? It is not a bar. It’s not a bleak number of concrete slabs. It’s a fucking salon. It’s called Beauty Bar. It’s a surreal experience and, as you walk towards the back it slowly morphs into a tiny club spot with a very low stage. It is extremely intimate, almost unnervingly so, which is exacerbated by being thrust back into the 60s glow of the front’s salon fixtures upon the end of the performance. Good show, still have a fair amount of merch from it hiding somewhere.

PORTLAND CELLO PROJECT! Why yes, yes, another cello-centric band! (I haven’t featured Zoe Keating yet because I assume y’all are aware of her, but I’ll get around to featuring ’em.) I don’t really have much to say about them, actually. They’re trying to create awareness of cellos and what they’re capable of and pushing the cello sound further, and I believe they succeed.

THE WORLD / INFERNO FRIENDSHIP SOCIETY! I love the slow build here that turns into abandon! Also, they have an entire song about Peter Lorre! And it rocks!

A whiteout tracklist! (Artist / Album / Song — links go to a video of the song, if available):