Electroclature Volume Thirty-Two: XXXII

Part thirty-two of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


If you’ve been a tourist in Chicago, you’ve almost certainly visited Navy Pier, featured in the above cover photo (albeit from afar). I’d call it the ‘Coney Island’ of Chicago, but that’d be an insult to Coney Island. It’s basically a lakeside strip mall with a very large Ferris Wheel. (Not pictured.)

Granted, Navy Pier’s Ferris Wheel — technically called the ‘Centennial Wheel’ — is a nod to the original Ferris Wheel, which was born and built for the 1893 Worlds Fair, which was a seminal and extremely influential and inspiration technological showcase that took place in Chicago. So it has that going for it.

History aside, I think it’s a rather striking photo. Again, not much in the way of sweetening here apart from some tinting. I was lucky enough to catch the right golden hour lighting, especially since I believe I was on a booze cruise architectural tour when I snapped it.

Consequently? Pretty proud of this cover. As with the future covers, I’m not exactly sure how I shoehorned a ‘widescreen’ cover into a CD case, but that’s something past-me figured out and something that present-me doesn’t have to worry about.

Enough about temporal selfs! Onto the highlights!

EMIKA! She’s essentially on here twice — she also provides vocals on the harrowing THE BRANDT BRAUER FRICK ENSEMBLE work ‘Pretend’, as well as being the creator of ‘3 Hours’.

Emika is an amazingly astute electronic musician who has also branched out into general production and publishing work with her own label. ‘3 Hours’ is one hell of a melancholy throbber about domestic violence that, while it is difficult to listen to, the beats make it go down a lot smoother.

BLACK BOX RECORDER! Breathy, sultry indie rock that is not afraid to coast on the rails.

GRAVEYARD TRAIN! At first blush, you might mistake this for mid-era Nick Cave, but they have a bit more of a pirate-y jaunt. ‘The Ferryman’ is a great song to either wave or sink into your cup to.

Let’s get to the tracklist, shall we? (Artist / Album / Song — links go to a video of the song, if available.)

  1. :GOLGATHA: / The Horns of Joy / Rising
  2. ASH BLACK BUFFLO / Andasol / Go ‘way Old Ghosts
  3. GRAVEYARD TRAIN / The Drink, The Devil and the Dance / The Ferryman (Audio Only)
  4. PUSCIFER / The Human Condition / The Humbling River
  5. ORDO ROSARIUS EQUILIBRIO / Survive The Spring / Can you see the Forest for the Trees
  6. OWL SERVICE / The Burn Comes Down / When a Man’s in Love
  7. THE BRANDT BRAUER FRICK ENSEMBLE / Mr. Machine / Pretend
  8. EMIKA / 3 Hours / 3 Hours
  9. TOM HAGERMAN / The Breakfast Playground / The Comedy
  10. THOSE DARLINS / Wild One / Drivin’ Nails in My Coffin
  11. CHARLOTTE GAINSBOURG / Stage Whisper / Memoir
  12. BLACK BOX RECORDER / The Worst Of / Brutality
  13. BJÖRK / Bastards / Crystalline [Omar Souleyman]
  14. KIMMO POHJONEN / Uniko / Uniko: II. Plasma
  15. VIVIAN GIRLS / Everything Goes Wrong / Tension
  16. TOM WAITS / Bad As Me / Bad As Me

Electroclature Volume Thirty: XXX

Not to gladhand myself — well, maybe a bit — I am a huge fan of this cover. I can’t recall where I took the picture and while I definitely sweetened it, I love the composition. I love the background pattern, and I love how the leaf at the bottom invisibly connects with the river. I love the overlaid spatter on XXX. I even somewhat like the font size!

Enough about scenery! Bring on the musical highlights!

EMA! Indie-electro at its finest! ‘The Grey Ship’ is exceptionally languid, but additional tracks escalate and feel like dirt pressed over a forlorn voice.

Unsurprisingly? Saw ’em at Chicago’s EMPTY BOTTLE for what was an incredibly emotive experience. Sadly, I doubt we’ll receive any new EMA material, but at least we have what we have.

THEE 50’S HIGH TEENS! Throwback early 60s garage rock, synths and all, helmed by righteously angry women whose temperament you can feel through this instrumental track.

WILD FLAG! I normally are not one for supergroups, but goddamn, this is one I could not resist, and the end result? Perfection. SLEATER-KINNEY’s Carrie Brownstein and Janet Weiss! HELIUM’s Mary Timony! THE MINDER’s Mary Timony!

‘Romance’ is absolutely succinct perfection. No flaws. It’s a raucous-but-tight production that builds perfectly from the opening synths to the Mototown infusion! Also, the chorus is so goddamn hooky and makes me grin every time I hear it.

(Yes, I also saw ’em at EMPTY BOTTLE and no one can take that stellar memory away from me.)

Back to set the scene! (Artist / Album / Song — links go to a video of the song, if available):

  1. SOAP&SKIN / Lovetune For Vacuum / DDMMYYYY
  2. BLAWAN / Bohla / Lavender (No official video, so enjoy this fan-made one that features John Travolta shoehorned into two scenes he shouldn’t be in.)
  3. YOUNG CIRCLES / Jungle Habits / 2012 (Audio only)
  4. NICO VEGA / Fury on Furt / Beast
  5. KATZENJAMMER / A Kiss Before You Go / Gypsy Flee
  6. THE GOOD THE BAD / From 018 To 033 / 028
  7. WILD FLAG / Wild Flag / Romance (Video directed by Tom Scharpling!)
  8. X-RAY SPEX / Germ Free Adolescents / Identity
  9. P.J. HARVEY / Let England Shake / The Words That Maketh Murder
  10. EMMY THE GREAT / Virtue / A Woman, A Woman, A Century Of Sleep
  11. EMA / Past Life Martyred Saints / The Grey Ship
  12. LYKKE LI / Wounded Rhymes / Sadness Is A Blessing
  13. THE PINEY GIR COUNTRY ROADSHOW / Jesus Wept / The Sheriff Of San Miguel
  14. EILEN JEWELL / Queen of the Minor Key / Queen of the Minor Key
  15. MAD JUANA / Kumpania / On The Side Of The Wild (Sadly unavailable to stream for some reason)
  16. THEE 50’S HIGH TEENS / Punch De Beat / Stoller In the Air
  17. CULTS / Cults / Abducted
  18. PEGGY SUE / Acrobats / Song & Dance
  19. TARANTELLA / Esqueletos / Dark Horse

Electroclature Volume Twenty-Nine: XXIX

Part twenty-nine of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


Not to be prideful, but this is when I settled into a new house CD mix design style that I am quite proud of it. When I remarked earlier about wishing I’d gone more of a letterbox way with one design, well, this is when I adopted it. I also settled on the serif font that fit my intent.

I have absolutely no idea where or when I took this photo. I imagine it’s another out-of-the-car-window shot. It’s slightly doctored to give it a bit more pop and an ephemeral look, but the sunburst is real as I don’t bother trying to fake that shit. You either capture it or you don’t.

As usual, it looks better in print as this is a low-res output. The tracklist text is far cleaner. If I had to change anything, I’d find a way to incorporate the XXIX title in a more visible way because — even though I designed this cover — I stumbled while trying to find it upon re-opening it years later.

Let’s move on from metal structures! This mix is all over the place, so let’s skip to the highlights:

ESBEN & THE WITCH! Granted, it’s the remix I love here as the electro staggering and static interplay so well with the ethereal vocals. If I heard this while on a club floor? One moment I’d be swaying like a tree, then I’d be twitching around like an out-of-control puppet.

HYSTOIC VEIN! New wave garage punk, all loud and brash and unapologetic!

THE GOOD THE BAD! Sexy instrumental surfer spaghetti western rock! Not to be crass, but this is my kind of bedroom music.

LITERGY! Saw these folks at — of all places — an outdoor Chicago street fest in the blinding sunlight, which is rather antithetical to their mission statement, but I take what I can get. ‘Generation’ is seven minutes of variations on a hard-hitting theme and I am absolutely here for it.

Can you feel the sunset telling you the tracklist format? (Artist / Album / Song — links go to a video of the song, if available):

  1. KIMMO POHJONEN / Uniko / Uniko: IV. Kalma – Kimmo Pohjonen
  2. PARENTHETICAL GIRLS / Privilege, Pt. III: Mend & Make Do / The Pornographer
  3. EZRA FURMAN & THE HARPOONS / Mysterious Time / Hard Time in a Terrible Land
  4. FEVER FEVER / Keys in the Bowl/Stage Shoes / Stage Shoes
  5. HYSTOIC VEIN / FAKE / DECA-DENCE
  6. BORN GOLD (née GOBBLE GOBBLE) / Bodysongs / Lawn Knives
  7. BEATS ANTIQUE / Contraption Vol. 1 / Extra Extra
  8. AUSTRA / Feel It Break / Beat And The Pulse
  9. ESBEN & THE WITCH / Chorea / Chorea [Christian AIDS] (This video is for the original, not the remix.)
  10. HAM SANDWICH / White Fox / The Naturist
  11. THE AIRBORNE TOXIC EVENT / All At Once / All At Once
  12. ALINA SIMONE / Make Your Own Danger / My Love Is A Mountain
  13. THE GOOD THE BAD / From 001 to 017 / 006 (This particular track isn’t available to stream, so this video goes to a01 from the same album.)
  14. ART BRUT / Brilliant! Tragic! / I Am the Psychic (Audio only as it’s unavailable to stream)
  15. TURISAS / Battle Metal / Sahti Waari
  16. LITERGY / Aesthethica / Generation
  17. JOHNNY LOVE / The Switch / Sonora [Udachi]
  18. LE TIGRE / Le Tigre / Hot Topic (The video here is a live version. Frustratingly, every live version I’ve found excises their shout-outs towards their inspirational creatives for some reason.)
  19. THE KILLS / Blood Pressures / Future Starts Slow
  20. X-RAY SPECS / Oh Bondage Up Yours! / Oh Bondage Up Yours!

Electroclature Volume Twenty-Eight: XXVIII

Part twenty-eight of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


Ugh. I like the photo. Unlikely that I had to tweak it much, as that’s pretty much quintessential Chicago in February/March. No idea where I took it. Probably was just walking around and noted that the above power lines looked like a clothesline from an apocalypse.

The text does nothing to heighten the cover. In fact, it would have been improved if I just stripped all of the text from it and just scribbled down the tracklist on a scrap of lined paper and slipped it into the CD-R case.

Oh well. There are far better covers ahead.

There’s a lot of great stuff here. More metal! Old-school Indian songs! The escalating throb of Keyboard Milk! One of the few CURRENT 93 tracks I actually like! (Nothing against ’em — they just aren’t my thing.) That Peter Lorre song I mentioned in XXII! More GOBBLE GOBBLE!

Wait, what’s that sound? It’s the sound of highlights!

ENSIFERUM! When I first saw this band it was when they had been around for more than a handful of years. A friend suggested that we catch ’em at Reggies Rock Club. (Reggie’s is a club I’d like to attend more often, but it is a very long trek for me.) They were playing with TURISAS and I realized “Oh, huh, I really like Finnish metal!”

‘Stone Cold Metal’ is supremely epic, very mannered for metal and is so very well-structured and — oh, you poor neighbors — you can’t help but want to shout along. The accompanying video is 14 years old and while the CGI nowadays would be easy to render, back then this must have been quite the expensive effort. It was worth it though.

LE BUTCHERETTES! ‘Mr. Tolstoi’ is a whirling blast, and her vocal trill is delightful. The break and subsequent escalation will have you pumping your fist in the air and leave you breathless.

I somehow caught wind of this now-defunct Mexican garage/punk band in time to see them tour for their first album ‘Sin, Sin, Sin’. As if that album title wasn’t enough to capture my attention, the name of the band leader ‘Teri Gender Bender’ certainly did. They played at Subterranean — the same venue I saw BLOOD RED SHOES — and it was all sweat and raised fists and hair whipping around and glorious.

FEVER FEVER! Goddamn this post-punk band is absolutely unrelenting. Monster is a blur of guitars and snare bursts at full volume and you can’t help but be dragged along with ’em until the song immediately runs out of steam and you’re left panting.

Here’s the tracklist, if you are feeling too exhausted to do anything else but read an enumerated list. (Artist / Album / Song — links go to a video of the song, if available):

  1. RÖYKSOPP / Forsaken Cowboy / Keyboard Milk (Unofficial but gorgeous video)
  2. CURRENT 93 / Black Ships Heat the Dancefloor / Black Ships Ate the Sky II [JG Thirwell]
  3. TURISAS / The Varangian Way / A Portage To The Unknown
  4. ENSIFERUM / From Afar / Stone Cold Metal (Their video for ‘From Afar’ is well-worth a watch!)
  5. FINNTROLL / Ur Jordens Djup / En Mäktig Här
  6. DROPKICK MURPHYS / Going Out In Style / The Irish Rover
  7. THE WORLD/INFERNO FRIENDSHIP SOCIETY / Addicted To Bad Ideas / Peter Lorre Overture
  8. LE BUTCHERETTES / Sin Sin Sin / Mr. Tolstoi
  9. JOHNNY LOVE / The Switch / Sonora [Udachi]
  10. CHICKS ON SPEED / Cutting The Edge / Sex In Der Stadt (Audio only)
  11. ALINA SIMONE / Make Your Own Danger / Glitterati
  12. GOBBLE GOBBLE / Lawn Knives & End Of Days / End of Days
  13. ANURADHA PAUDWAL & SURESH WADKAR / College Girl/Amiri Garibi / Aankhon Mein Basalo
  14. ASHA BHOSLE, RAHUL DEV BURMAN / / Duniya Mein Logon Ko
  15. JOSE GONZALEZ / Red Dead Redemption OST / Far Away
  16. UNTHANKS / Here’s The Tender Coming / The Testimony Of Patience Kershaw
  17. FEVER FEVER / Monster / Monster

Electroclature Volume Twenty-Five: XXV

Part twenty-five of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


Sigh. This is a complete failure as a cover. The tracklist font doesn’t work at this size. The font should be far smaller. Works for the XXV title though, in my opinion.

Additionally, it’s extraordinary dreary. To be fair, I did take this photo while in London so it’s appropriate. However, that does not justify the number of filters I applied to it.

Moving along. This album features some straight-up metal for once. Hey, it’s called Electroclature and not Metalclature. (Although that would be a better title.) Otherwise, it features a lot of previously featured bands so I’ll stick to the new-to-Electroclature musicians.

Here are some non-dreary highlights!

FOETUS! Technically I’ve featured the work of J.G. Thirwell in the past via his Venture Bros. soundtrack work, but not the long-lived act he’s best known for: FOETUS! ‘The Ballad of Sisyphus T. Jones’ is one hell of a rollicking, dense and epic song that builds and builds, then teases a bit, then lurches into a spaghetti western mode, then rockets forward back again. Absolutely one of my favorites of his, although his eleven minute big band song is also one of my favorites of his so your mileage may vary.

I was lucky enough to see him play at Chicago’s EMPTY BOTTLE way back in 2001 and he rarely comes to Chicago and it was a fucking blast, one of those bands you just kinda resign yourself to only hear instead of see and hear. A bucket list performer, for sure.

ROB DUNCAN! His theme song for TERRIERS? One of the greatest, if not the greatest TV theme songs of the past 20 years. It’s so hooky and concise, not just with the duration but also the lyrical subject matter. It is everything you want out of a TV theme song and is just as effective out-of-context.

SWANS! Another extremely formative band for me, although I didn’t discover them until ‘Soundtracks for the Blind’, which is very dark, tense, loud at times, silently intense at others. The core members were Michael Gira and Jarboe, the former known for never smiling and the latter known for her striking voice. I missed their breakup tour because I was too young, but I did see Gira’s follow-up band ANGELS OF LIGHT live, which I believe was at Double Door. I still have my well-weathered long sleeve shirt from that show.

SWANS regrouped in 2010 sans Jarboe and toured with BABY DEE (who will be missed). The venue I saw them at? Maybe it was the relocated Double Door before they completely shut down. The song featured here — ‘Jim’ — is from the album they were touring for: ‘My Father Will Guide Me Up a Rope to the Sky’.

Tonally it’s not much of a departure from their prior album, ‘Soundtracks for the Blind’. They’re still extremely dark, very sludgy and very languid. And live? VERY LOUD. They’re touring around this time; They’re hitting Chicago in May. If you like what you hear? Check ’em out, but bring earplugs.

An overcast tracklist! (Artist / Album / Song — links go to a video of the song, if available):

  • ELUVIUM / An Accidental Memory In the Case of Death / Perfect Neglect In A Field Of Statues
  • LAURA MARLING / I Speak Because I Can / Alpha Shallows
  • PEGGY SUE / Fossils and Other Phantoms / February Snow
  • NINA NASTASIA / Outlaster / This Familiar Way
  • FOETUS / Hide / The Ballad of Sisyphus T. Jones
  • THE DEAD WEATHER / Sea Of Cowards / I’m Mad
  • CROCODILES / Sleep Forever / Hollow Hollow Eyes (The video? Probably best viewed while high, otherwise it’s rather dull.)
  • THE BLACK ANGELS / Passover / Young Men Dead
  • SWANS / My Father Will Guide Me Up a Rope to the Sky / Jim
  • MUNLY / Petr And The Wulf / Munly
  • ROB DUNCAN / Gunfight Epiphany / Gunfight Epiphany (Theme from Terriers) (The video link is the actual title sequence for the show, but the song itself is far longer.)
  • FINNTROLLl / Jaktens Tid / Jaktens Tid (Not the official video — one doesn’t exist — but an absolutely delightful fan video comprised solely of clips from a scene from THE ARISTOCATS.)
  • DIMMU BORGIR / ABRAHADABRA / Gateways
  • THOSE DARLINS / Nightjogger/Funstix Party / Nightjogger
  • BOOM PAM / Puerto Rican Nights / Ay Carmela (Instrumental)

Electroclature Volume Twenty-Four: An Unwound String

Part twenty-four of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


With this cover, I like the striking simplicity of the brushes behind the title, and the fact that for once I opted for lighter tones. However, the tracklist text is far too large and cumbersome. If I could do it again, I’d reduce the font size and kind of ‘letterbox’ the cover. Lessons learned.

Let’s shine a spotlight on the highlights!

TOM HAGERMAN! Tom Hagerman is part of the band DeVotchKa (see Electroclature Volume Six) and he’s an amazing multi-instrumentalist who is specializes in the melancholy. He’s also a swell guy who went drunksaling (a.k.a. tipsy garagesaling) with us once. Good times.

MICHAEL NYMAN! While he’s best known for his soundtrack work, especially THE PIANO, but he also does things like put his own spin on Mozart and the like. ‘Profit & Loss’ is essentially a reading of a wedding ledger. When my wife and I were planning our wedding, I suggested that we include it in our dinner dance mix and she shot that down immediately, so I snuck it into the cocktail mix. I hope someone noticed the wink.

BRITISH SEA POWER! If you aren’t aware of ‘Come Wander With Me’, originally it was performed by BONNIE BEACHER. It has been covered by many bands, but I prefer the original while watching it in the TWILIGHT ZONE episode of the same name. Fun fact: that episode is as melancholy as the song, as it was the final episode of the series.

Aren’t aware of the format? You’re in luck! Artist / Album / Song — links go to a video of the song, if available:

Electroclature Volume Twenty-Two: XXII

Part twenty-two of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


This cover is …fine. Playing with negative space. Stuck with the same font as XX and XXI. Severe black and red and white all over.

Fun fact? That wasn’t quite my personal clothing/adornment color scheme back then, but it certainly is now, down to my bracelets and marbled nail polish.

Let’s move onto the musical highlights!

TITUS ANDRONICUS’ Arms Against Atrophy! I know both TITUS ANDRONICUS and LOS CAMPESINOS! have been featured in prior mixes. The primary reason for that? It was right around the time that they were at the height of their powers. Both bands first two albums are pure overwrought shrieking noisy perfection.

Luckily, they hit up Chicago’s Logan Square Auditorium at this time, and it blew the sold out crowd’s minds. LOS CAMPESINOS! was even more energetic and raw live than on album, and even shitfaced drunk, TITUS ANDRONICUS absolutely killed. Great fucking show.

HOLLY & THE ITALIANS! “Some people achieve greatness. Others have it thrust upon then. And then there are those who are born Italian.” Amazing pop punk that I can’t stop listening to, and even have designs on incorporating ‘I Wanna Go Home’ into one of my works.

PEGGY SUE! Peppy melancholy! As you can see by the video, they have a natural verve that resonates. Saw ’em at yet another Schubas outing and am glad I made it out.

…and with that? (Artist / Album / Song — links go to a video of the song, if available):

Electroclature Volume Nineteen: XIX

Part nineteen of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


Ah, when I decided to opt for Roman numeral naming.

Yet another cover I do not love. It’s too severe and there’s far too much and too little spacing with the track list.

No idea where I got the photo from, but I imagine it was from drunksaling. If you are not familiar with the term? You get tipsy in the morning and head out to garage sales and buy stupid shit. We’re too old for that now, but if you’re young enough? I highly suggest it. It’s a ton of fun. Just only get tipsy, though.

Highlights! NOUVELLE VAGUE & JULIE DELPY! You may be familiar with Delpy from the Linklater SUNSET trilogy, but she imbues this song with significance. (Also, not the only French New Wave-inspired track here!) BOY 8-BIT hits hard! CLUE’s Approach the Throne is an amazing bop. I know everyone only knows ELASTIC through their late 90s theme ‘Connection’ but? Go through the entirety of their limited collection. Pure post-punk perfection.

Not my best effort, but here’s the tracklist! (Artist / Album / Song — links go to a video of the song, if available):

Electroclature Volume Fourteen: 14

Part fourteen of an array of CD mixes I made for my wife over a long number of years! Read more about it here!


This is not a well-designed cover. The font feels awkward and I leaned way too much into drop-shadows.

However? I vividly remember taking the photo. I was visiting a friend and noticed the burn stains and reflected on what may have caused it, knowing I’d never get an answer.

Not every great moment lends itself to a great image, but I hold it precious.

Highlights? Motherfucking FIGHT LIKE APES’ ‘I’m Beginning To Think You Prefer Beverly Hills 90210 To Me’! NICO VEGA’s ‘Beast‘! THE LONG BLONDES’ ‘Five Ways to End It’! So good! I cannot keep myself from rocking out to those tracks! I’m doing so while penning this post!

(Album / Artist / Song):

  • AMANDOU & MARIAM / Welcome To Mali / Sabali
  • KJARTAN SVEINSSON / Sí›asti bærinn / Sí›asti bærinn 5
  • MUNLY / Munly & The Lee Lewis Harlots / Song Rebecca Calls, ‘that birdcage song’, Which It Never Was But Now Kind Of Is Because Of All Her Influence…
  • THE KNIFE / Deep Cuts / You Make Me Like Charity
  • GOLEM! / Citizen Boris / Zingarella
  • GOGOL BORDELLO / Gypsy Punks Underdog World Strike / Dogs Were Barking
  • THE KILLS / Midnight Boom / What New York Used To Be
  • KATZENJAMMER / Le Pop / To the Sea
  • LOS CAMPENSINOS! / The International Tweexcore Underground / The International Tweexcore Underground
  • FIGHT LIKE APES / And The Mystery Of The Golden Medallion / I’m Beginning To Think You Prefer Beverly Hills 90210 To Me
  • LOVE IS ALL / A Hundred Things Keep Me Up At Night / New Beginnings
  • SONS & DAUGHTERS / This Gift / The Nest
  • NICO VEGA / chooseyourwordspoorly / Beast
  • SHRAG / Shrag / Pregnancy Scene
  • THE LONG BLONDES / Erol Alkan 12″ Mixes / Five Ways To End It [12″ Erol Alkan]
  • HANSJE / 7″ Single, 1978 / Silex Pistols Piew Piew
  • THE TOSSERS / Communication & Conviction / Johnny I
  • PARENTHETICAL GIRLS / (((GRRRLS))) / Inspirational Shortpants [Xiu Xiu]