(Hulu) While I’m well-aware that I occasionally describe a work as a dramedy, it’s simply meant as shorthand rather than for any love of the term. While I use it, it means: this work isn’t wall-to-wall empty laughs or overwrought heartbreak. Real human drama is often funny ha-ha, and sometimes comedically tragic; I believe that great dramas generously sprinkle in comedy, and great comedies are built on dramatic tension. A spoonful of sugar, etc. — one way or the other — so to say. Yet, I don’t think I’ve seen a show that so perfectly balances the two as Pamela Adlon’s BETTER THINGS.
BETTER THINGS centers around Sam Fox (Pamela Adlon, who has been a very hard-working character/voice actor for years), an L.A.-based middle-aged screen-and-voice-actor and the single mother of three daughters: teenage Max (Mikey Madison from SCREAM (2022) and ONCE UPON A TIME IN HOLLYWOOD), pre-teen Frankie (Hannah Riley), and youth Duke (Olivia Edward, who occasionally popped up in CRAZY EX-GIRLFRIEND). Living next-door to her is her willful, very passive-aggressive British mother named Phyllis, but Sam solely calls her Phil. (You may sense a naming trend here.)
(I need to note: Louis C.K. — who admitted to sexual misconduct, and who did fictionally sexually assault Adlon’s character on LOUIE — was a credited writer, producer and co-creator for the show, but while he is no longer a writer or producer, he is still credited as co-creator. It’s also worth noting that Adlon was the best part of the greatest episodes of LOUIE, as well as his short-lived show LUCKY LOUIE. In other words, they have history and it’s complicated, and she isn’t discussing it. As far as I’ve read, he’s had no input on the show for some time.)
Initially, the show is about Sam navigating her life as she feels her age and feels those around her react to her age, all while she juggles the needs of motherhood. However, with each subsequent season, the show expands, and it becomes far more about maintaining family bonds as your brethren move forward and change.
Additionally, as the show progressed, it became far more experimental, indulging Adlon’s delightfully fanciful filmic flights, often through local trips, or through another character’s POV. It feels like a true exploration of life, of aging, of self-acceptance, self-discovery, self-improvement, and reckoning.
It makes time to luxuriate in life and the little joys: the tranquility of cooking, a brief nap in the park, people-watching, while never turning a blind eye to the harder parts of living, especially when you have to tend to the ever-changing needs of your children and yourself.
No, the show is not a gut-buster; it’s not meant to be. However, it always makes me laugh, and then two minutes later my eyes are welling up.
I’ve seen all but the finale — which airs tonight (April 25th) — but I wanted to boost it now because I’m impatient.
Season 1 Trailer:
Final Season Trailer (for the brave):