(epix/Hulu/Paramount+/VOD) Yep, this is a repeat recommendation! (Here’s the original recommendation.) I often read the source material of a film afterwards, but that’s usually concerning dusty films from the 40s; rarely do I seek out source material for a modern film because many modern literary-to-film adaptations simply aren’t that interesting. (The last great book/film pair I can recall is probably GONE GIRL which was checks notes seven years ago?!)

However, I just finished reading the source material — Aaron Starmer’s novel of the same name — and I -love- both versions. To summarize both real quick, just in case: the senior year students in a traditional American high school start spontaneously combusting, BLEAK HOUSE-style. (Sorry, spoilers for a 150-year-old novel.)

The novel is denser and woolier than the film, but the film has a cavalier, high-energy attitude that the book lacks, and it doesn’t get so bogged down with the details. The film feels like a very concise reinterpretation of the novel — vast sections of the last third of the book are dropped or merely given lip-service in the film — the focus here is more on Mara and her end-of-youth relationship with Dylan — who is has far less back-story in the film — but that’s okay because the film is about Mara’s agency and her graduating to adulthood. Yes, writer/director Brian Duffield (writer of the previously recommended UNDERWATER) bumps up Mara’s quirkiness, but in a way that feels organic for Katherine Langford (KNIVES OUT), while still preserving her fuck-up demeanor (although it does significantly ramp down her drug use for some reason).

Sadly, Mara’s best friend Tess (RIVERDALE’s Hayley Law) is significantly dumbed down in the film, which is perhaps the only misstep the film makes, but otherwise it’s an extremely smart, visually inventive and refreshing take on a coming-of-age tale. I’m hoping it’ll find an audience post-COVID, because it has all of the hallmarks of a great cult film. And, if you like the film, pick up a copy of the book.*

  • I’d like to note that I picked up a used copy of the book, and the previous owner of the book took the effort to use typewriter whiteout tape — not actual whiteout — to obscure not only every swear in the novel (Mara swears approximately every other page, and it’s a 355 page novel) but also any physical sexual moment, including full paragraphs about self-stimulation. I can’t wrap my head around it — Mara’s utterances and the sex is the least disturbing part of the novel — but at least the presumed kid that asked to read the book got to read it?