(kanopy/Mubi/VOD) THE TURIN HORSE is the last film from Béla Tarr (probably best known for WERCKMEISTER HARMONIES or, if you run in my circles, for the approximately seven hour long SATANTANGO). I tend to doubt it’s the last, as he’s still directing documentaries and producing shorts, but the film — which was co-directed by his wife Ágnes Hranitzky — certainly has a sense of finality to it.

It’s a gorgeous black-and-white piece, told over the span of roughly two-and-a-half hours, totals 30 shots and it moves at a glacial pace. It’s about a father and daughter, and the father happens to own the horse that was whipped so many times it made Nietzsche have a breakdown.

It’s an existential marvel, but, well, that’s not exactly what I remember it for. What I really remember are the boiled potatoes and, when I see a boiled potato, I think of this film.

If you don’t have the time for this masterpiece, may I suggest this 1m44s edit?